ORGANISED COMPLEXITY
FROM THE COMPLEXITY OF REAL LIFE -
ORGANISED IN WAYS WE DO NOT SEE |
- TO THE ORGANISATION OF MEANING
ORGANISED IN WAYS WE CAN TALK ABOUT
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| The whole looks incoherent because we cannot at first distinguish the recurrent patterns. There are so many of them and on so many scales, so that we see their overlapping in complex and chaotic ways. |
The first step is to identify molecules of meaning. Molecules of meaning are the basic units of data that are used in LVT. They need to be relevant to the whole, intelligible in their own right, and shareable by all those involved in the work |
The second step is to chunk MMs together to arrive at new meanings - on a higher level of meaning - that embody more of their inter-relationships. Just as small molecules combine together in biochemistry to form larger ones with more complex features, but also greater specificity. Within and between the original MMs there are complex relations of mutual relevance that can come into view in this step as a new level of MM is created
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The third step is to situate all the ‘larger’ MMs within an organic whole. An organic whole of meaning differs from a mechanical one in that every MM is mutually relevant to every other one, on whatever scale. |
There is a generic method for making meaning.
MOLECULE |
SCALE on a scale we can manage |
TIME recurrent enough to be relatively stable and recognisable |
SPACE spread throughout the region so that it appears almost everywhere |
MEANING |
RELEVANT contains significant information |
INTERESTING attracts attention and elicits emotion |
SHAREABLE can be located within a common frame of reference |
LVT |
LOGO can be expressed in a succinct way |
VISUAL can be attached to an image |
TECHNOLOGY can be located and changed in location in a symbolic field |
STEPS |
MMs (1) Identify the basic units |
MMs (2) Chunk them into larger units and identify their new emergent properties |
MMs (3) Integrate them altogether as operating together in the functioning of an organic ‘cell’ |
In going through the steps, the scale, frequency and distribution of the MMs are subject to change as signified by MM (1), MM (2) and MM (3).
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The original MMs (1) are statements, to which can be attached explantory notes and identifying icons
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In chunking, the original MMs and their inter-relationships are coalesced into a whole unit that can be treated as one meaning element of an MM (2) kind. This is given a defining title and any image that signifies the emotional content
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In integrating, structures are used to position MMs (2) within a framework that highlights patterns. This is an organised complexity MM (3) analogous to a cell. It can be given descriptive amplification as in a story (structured process) or made into a symbol
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